My love for TV intros has been previously documented, but recently I realized a love for both the imagery and scores (especially the scores) of American president shows. Maybe I’m feeling extra patriotic because we’re in an election year.
The West Wing is beloved by many. Including me. The show’s writing is unbelievable. And Martin Sheen is the best president ever. And how did Josh Malina go from acting on a show this good to the shit that is Scandal? But I’m getting off track here.
W. G. Snuffy Walden composed the music for many TV shows, including The Wonder Years, thirtysomething, Felicity, My So-Called Life, Friday Night Lights, Roswell, and many, many more. But The West Wing is his most famous and won him an Emmy.
The Kennedys features a magnificent solo trumpet that paves the way for swelling strings and takes a turn toward darkness. It’s hopeful, then sad. Much like the story of the Kennedys. I believe that the opening would have made a stronger visual impact with just the swirling flag and credits, nothing else. But it still makes a powerful statement.
Composer Sean Callery also did Homeland, 24, Medium, Elementary, Bones, and lots more. Another prolific, talented TV composer.
I think my favorite of the three openings is House of Cards. The score is sinister, mysterious, and compelling. The time lapse footage of DC is all shadows and light, hinting at the evil that lurks within the city and the government.
I am drawn to this music and find myself listening to it semi-regularly. It’s my favorite part of the show, along with the styling of Robin Wright
Penn. I’m not the only who loves it, as there are several articles about the song and composer Jeff Beal. This piece on Slate talks about how the music evolved between the first and second season.
Beal also wrote music for The Newsroom, GCB, Monk, Ugly Betty, Rome, and Carnivàle, among many others.